The Smudge Tool spreads and mixes content of image areas, (c. 2000).
This album is often referred to as Melt due to its cover photograph by Storm Thorgerson.
The photo was taken with a Polaroid SX-70 instant camera, and subsequently modified by Thorgerson or Gabriel. (Thorgerson does not recall whether he or Gabriel manipulated the image.) (1980)
Lorenzo Ghiberti, Gates of Paradise, 1403
The photo was taken with a Polaroid SX-70 instant camera, and subsequently modified by Thorgerson or Gabriel. (Thorgerson does not recall whether he or Gabriel manipulated the image.) (1980)
Lorenzo Ghiberti, Gates of Paradise, 1403
Juan Muñoz, Two Seated on the Wall, 2000
Banksy, Self-Portrait, 2007.
Addison Scurlock, Family Portrait, 1925
Addison Scurlock, Family Portrait, 1925
Liz Shaking Fist at Ray, Richard Billingham, 1995
Myra, Marcus Harvey, 1995, Acrylic on canvas
The image has gone from being an image in the press, to being a painting and then back into the press again.
Myra, Marcus Harvey, 1995, Acrylic on canvas
The image has gone from being an image in the press, to being a painting and then back into the press again.
Anne-Karin Furunes, Unknown from Archive, 2003.
Furunes perforates the surface of black or white canvas or unpainted aluminum with hundreds of handmade holes.
Cries Of London, 1996, Grayson Perry
Furunes perforates the surface of black or white canvas or unpainted aluminum with hundreds of handmade holes.
Cries Of London, 1996, Grayson Perry
Moche Ceramic Portrait, 1400, Larco Museum Collection
Albrecht Durer, Self-portrait, 1500
Zuzana in Paris Studio (acrylic on wooden board, 1300 x 1100mm), Hynek Martinec, 2007.
Check out his drawings here. Don't let anyone tell you this style of painting isn't clever. It's very clever. What a wonderful feeling to gasp at a piece of Art. Likewise below, and for different reasons.
A close up.
Check out his drawings here. Don't let anyone tell you this style of painting isn't clever. It's very clever. What a wonderful feeling to gasp at a piece of Art. Likewise below, and for different reasons.
A close up.
Shahnoza, pole dancer, 2006 (Vinyl on wooden stretcher), Julian Opie
Look above and below. Delicious mouths. Confident, deep creased line creating illusion of that biteable soft bottom lip.
Gilbert Stuart, Portrait of George Washington c.1796
Look above and below. Delicious mouths. Confident, deep creased line creating illusion of that biteable soft bottom lip.
Gilbert Stuart, Portrait of George Washington c.1796
Double Self-Portrait, Egon Schiele, 1915.
Triple portrait of King Charles, Anthony van Dyck
"The aim of Art is to present not the outward appearance of things, but their inner significance; for this, not the external manner and detail, constitutes true reality."
Aristotle
"If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it."
Andy Warhol
"The aim of Art is to present not the outward appearance of things, but their inner significance; for this, not the external manner and detail, constitutes true reality."
Aristotle
"If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There’s nothing behind it."
Andy Warhol
"I can't believe you morons actually buy this shit".
Banksy
"There are only two styles of portrait painting: the serious and the smirk."
Charles Dickens
"I loathe my own face, and I've done self-portraits because I've had nobody else to do."
Francis Bacon
Banksy
"There are only two styles of portrait painting: the serious and the smirk."
Charles Dickens
"I loathe my own face, and I've done self-portraits because I've had nobody else to do."
Francis Bacon
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